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🎬Netflix answer

Why are classic anime like Dragon Ball or Slam Dunk missing from Netflix?

SHORT ANSWER

No single company holds the rights — Japan's "production committee" model splits ownership across broadcasters, publishers, and toy makers, making licensing negotiations slow and complex.

01

What to do now

  1. No single company holds the rights — Japan's "production committee" model splits ownership across broadcasters, publishers, and toy makers, making licensing negotiations slow and complex.
02

Who owns the resolution

Netflix's own support/policy team decides this -- AMS explains the policy but has no account access and cannot make this decision for you.

03

Evidence to prepare

  • Your account email or user ID
  • Screenshots or a confirmation number for the specific order/booking/transaction
  • Any messages you already exchanged with support about this
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I need practical help with a Netflix issue.

The policy question: Why are classic anime like Dragon Ball or Slam Dunk missing from Netflix?
Useful context I found: No single company holds the rights — Japan's "production committee" model splits ownership across broadcasters, publishers, and toy makers, making licensing negotiations slow and complex.

My specific situation: [Describe what happened, including dates and messages shown]
The outcome I want: [Refund, verification, appeal, account recovery, explanation, etc.]
Important constraints: [Country, deadline, booking/account status, documents already submitted, budget, or other limits]

Please:
1. Identify any missing facts you need before reaching a conclusion.
2. Separate platform policy, local law, and your own inference.
3. Give me the safest next steps in priority order.
4. Use current official sources where possible and flag anything that may have changed.
5. Draft a concise message I can paste to customer support.
6. Do not invent account access, guarantees, refund rights, or legal conclusions.
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05

Why this policy exists

Most Japanese anime is produced under a "seisaku iinkai" (production committee) — a joint-investment structure where TV networks, publishers, toy makers and ad agencies each hold a stake to spread risk and revenue. Selling overseas streaming rights requires every stakeholder's sign-off — one holdout can kill the deal, so the more popular a title, the more complicated the negotiation often becomes. In Korea there's an added wrinkle: local anime distributors (Laftel, Daewon Media, Animax) frequently lock up exclusive domestic rights first, closing the door before Netflix can even negotiate. The absence usually isn't about missing copyright — it's copyright split too many ways, or already sold elsewhere.

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